Our faculty have a busy summer: Prof JBH will be attending Mythcon 47 this summer to read a new paper on mythopoeia through the lens of Tolkien and Propp. The conference title and theme is “Faces of Mythology: Ancient, Medieval, and Modern.” As part of his Muggle disguise, Prof JBH has managed to infiltrate the Mythopoeic Society, the organizer for the Mythcon conference.
Here’s the title and a short blurb for his upcoming presentation:
Mythical Grammar according to J. R. R. Tolkien and Vladimir Propp: A Gesture Toward Conciliation Between Mythopoeia and Formalism
This paper sketches a framework for understanding how the radically different literary perspectives of Tolkien and the Russian folklorist Vladimir Propp can be constructively compared, and the value of doing so. I will briefly explain Propp’s approach in the Morphology of the Folktale and how it can be used to explain the aesthetic satisfaction many readers experience and report when a tale conforms to a particular structure. Propp consciously disregarded questions of literary meaning, thus guilty by Tolkien’s lights of “using the stories not as they were meant to be used, but as a quarry from which to dig evidence” (1947, 47). Tolkien has no truck with empirical and reductive methods like Propp’s. Propp is an analyst of form and syntax, Tolkien of content and meaning. Propp is an anatomist, Tolkien a psychologist (or poet). And yet their analyses of fairy tales converge on two noteworthy points. The first is the effect of a well-written tale on the reader. In previous research published on Propp, I have investigated his elliptical claim that his 31-function schema “is a measuring unit for individual tales” (1968, 64). It has been observed that the well-formed tale according to Propp’s scheme constitutes a cultural script marked by keen aesthetic satisfaction. The second point of convergence is on the question of origins, with both Tolkien and Propp, in their respective vocabularies, indicating the necessity of an Ur-story, a Protean form from which stories of an infinite variety of “amazing multi-formity, picturesqueness, and color” (1968, 21) have emerged under the sub-creative auspices of the “elvish craft.” Propp’s explanation is by design naturalized while Tolkien’s is metaphysical. Yet both reveal something essential to “incantation in Faërie,” a mythical grammar by which the storyteller may, if successful, wield an enchanter’s power.
Prof Hunter is drawing from the Manuscript B version of “On Fairy-Stories” published in Essays Presented to Charles Williams (1947/1966, out of print). He is particularly enthusiastic about this paper because it will be his first attempt to build on his already-published Proppian analysis of the Harry Potter saga, which appears in The Ravenclaw Reader. It is also the fruit borne from a discussion with the Hogwarts Professor at a pub in St Andrews, Scotland four years ago. Pubs in Scotland are, parenthetically, where most good ideas originate.
When the conference program is finalized, we’ll provide a link.
Students may use their holiday Hogsmeade pass to attend. If you don’t have a pass signed by your parent or guardian, please register online at the Mythcon 47 website. If you’ve already used your pass to attend the Leviosa! conference, then alternative routes out of school grounds are known to exist, but you can be assured that Mr Filch and Mrs Norris will be guarding them vigilantly.